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Carl Rottmann
German,1797-1850 was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school. Carl Anton Joseph Rottmann was born in Handschuhsheim (today a part of Heidelberg) on January 11, 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. In his first artistic period he painted atmospheric phenomena. In 1821 he moved to Munich, where his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. This connection cleared the way for an acquaintance with King Ludwig, who in 1826-27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. Upon his return he received from King Ludwig I a commission for a monumental cycle of Italian landscapes in the arcade of the Munich Hofgarten. The cycle, completed in 1833 in fresco, gave visual expression to Ludwiges alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the Kinges other great commissions for monumental painting.

 

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Carl Rottmann Sicyon and Corinth oil painting

Painting ID::  33906

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Carl Rottmann
Sicyon and Corinth
mk87 c.1836-1838 Oil on canvas 85.2x102cm Munich,Bayerische Staatsgemaldesammlungen,Neue Pinakothek
   
   
     

 

 

Carl Rottmann The Battlefield of Marathon oil painting

Painting ID::  38584

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Carl Rottmann
The Battlefield of Marathon
mk137 c.1849 Oil on canvas 91x90.5cm
   
   
     

 

 

Carl Rottmann Sicyon and Corinth oil painting

Painting ID::  40681

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Carl Rottmann
Sicyon and Corinth
mk156 c.1836-1838 Oil on canvas 85.2x102cm
   
   
     

 

 

Carl Rottmann Marathon oil painting

Painting ID::  43869

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Carl Rottmann
Marathon
157 x 200 cm
   
   
     

 

 

Carl Rottmann Cefalu oil painting

Painting ID::  43989

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Carl Rottmann
Cefalu
1830 Oil on canvas, 63 x 79 cm
   
   
     

 

 

Carl Rottmann Inntal bei Neubeuern oil painting

Painting ID::  88690

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Carl Rottmann
Inntal bei Neubeuern
1823(1823) Medium Oil on canvas Dimensions 32 x 46 cm (12.6 x 18.1 in) cjr
   
   
     

 

 

Carl Rottmann Die Insel Delos oil painting

Painting ID::  90251

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Carl Rottmann
Die Insel Delos
1847(1847) Medium oil on paperboard Dimensions 35,5 x 45,5 cm cjr
   
   
     

 

 

Carl Rottmann Landscape on the island of Aegina oil painting

Painting ID::  96686

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Carl Rottmann
Landscape on the island of Aegina
Oil on canvas Dimensions 57 x 57 cm cyf
   
   
     

 

 

Carl Rottmann Ruin of a chapel near a river with rising moon oil painting

Painting ID::  97847

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Carl Rottmann
Ruin of a chapel near a river with rising moon
1820(1820) Medium oil on canvas mounted on panel Dimensions 36 x 44 cm cyf
   
   
     

 

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Carl Rottmann
German,1797-1850 was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school. Carl Anton Joseph Rottmann was born in Handschuhsheim (today a part of Heidelberg) on January 11, 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. In his first artistic period he painted atmospheric phenomena. In 1821 he moved to Munich, where his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. This connection cleared the way for an acquaintance with King Ludwig, who in 1826-27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. Upon his return he received from King Ludwig I a commission for a monumental cycle of Italian landscapes in the arcade of the Munich Hofgarten. The cycle, completed in 1833 in fresco, gave visual expression to Ludwiges alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the Kinges other great commissions for monumental painting.